Good lighting isn't an accident — it's a decade of obsession. I trained as a visual artist before I ever picked up a camera, and that background shows in every frame: intentional, moody, unmistakably in-camera.

I work across three lanes — weddings, fitness/athletic portraiture, and commercial branding — for clients including Boston Beer Company and Clifbar, alongside couples getting married across New England. Whatever the subject, the standard doesn't change: real light, real moments, no shortcuts.